Anthony of Padua

Description

Handmade and Hand Painted Icon
This icon is a work of Christian art and is a Holy religious item blessed from Christian Church.
Is entirely hand painted on a piece of wood the dimensions are 24cm x 18cm – 9.45″x 7.08″ inches and the materials used for painting are eggtempera and gold leaf 24k.
The Icons have a 24k gold leaf in the halos and the ocher background colour is with egg tempera.
Every Holy Icon takes to complete 10 to 15 days depending on the size and type of the background.
The HolySpiritArt retains sole rights to reproduce these images, all of which are copyrighted.

Anthony of Padua – Antoine de Padoue – Antonio di Padova – Antonio de Padua – Santo António de Lisboa – Antonius von Padua – Antoni Padewski – Handmade and Hand Painted Original Icon

Anthony of Padua (Portuguese: António de Pádua; born Fernando Martins de Bulhões; 15 August 1195 – 13 June 1231[1]), also known as Anthony of Lisbon (Portuguese: António de Lisboa), was a Portuguese Catholic priest and friar of the Franciscan Order. He was born and raised by a wealthy family in Lisbon, Portugal, and died in Padua, Italy. Noted by his contemporaries for his powerful preaching, expert knowledge of scripture, and undying love and devotion to the poor and the sick, he was one of the most quickly canonized saints in church history. He was proclaimed a Doctor of the Church on 16 January 1946. He is also the patron saint of lost things.

Fernando Martins de Bulhões was born in Lisbon, Portugal. While 15th-century writers state that his parents were Vicente Martins and Teresa Pais Taveira, and that his father was the brother of Pedro Martins de Bulhões, the ancestor of the Bulhão or Bulhões family, Niccolò Dal-Gal views this as less certain. His wealthy and noble family arranged for him to be instructed at the local cathedral school. At the age of 15, he entered the Augustinian community of Canons Regular of the Order of the Holy Cross at the Abbey of Saint Vincent on the outskirts of Lisbon.

In 1212, distracted by frequent visits from family and friends, he asked to be transferred to the motherhouse of the congregation, the Monastery of the Holy Cross in Coimbra, then the capital of Portugal. There, the young Fernando studied theology and Latin.

Joining the Franciscans

In Alvise Vivarini’s painting, Anthony is distinguished from the other saints by his attributes: the book and the white lily stalk.
After his ordination to the priesthood, Fernando was named guestmaster at the age of 19, and placed in charge of hospitality for the abbey. While he was in Coimbra, some Franciscan friars arrived and settled at a small hermitage outside Coimbra dedicated to Anthony of Egypt. Fernando was strongly attracted to the simple, evangelical lifestyle of the friars, whose order had been founded only 11 years prior. News arrived that five Franciscans had been beheaded in Morocco, the first of their order to be killed. King Afonso II ransomed their bodies to be returned and buried as martyrs in the Abbey of Santa Cruz. Inspired by their example, Fernando obtained permission from church authorities to leave the Canons Regular to join the new Franciscan order. Upon his admission to the life of the friars, he joined the small hermitage in Olivais, adopting the name Anthony (from the name of the chapel located there, dedicated to Anthony the Great), by which he was to be known.

Anthony then set out for Morocco, in fulfillment of his new vocation. However, he fell seriously ill in Morocco and set sail back for Portugal in hope of regaining his health. On the return voyage, the ship was blown off course and landed in Sicily.

From Sicily, he made his way to Tuscany, where he was assigned to a convent of the order, but he met with difficulty on account of his sickly appearance. He was finally assigned to the rural hermitage of San Paolo near Forlì, Romagna, a choice made after considering his poor health. There, he had recourse to a cell one of the friars had made in a nearby cave, spending time in private prayer and study.